biography / filmography

John Smith was born in Walthamstow, London in 1952 and studied film at the Royal College of Art, during which time he became involved in the activities of the London Filmmakers Co-op. Inspired in his formative years by conceptual art and structural film, but also fascinated by the immersive power of narrative and the spoken word, he has developed an extensive body of work that subverts the perceived boundaries between documentary and fiction, representation and abstraction. Often rooted in everyday life, his meticulously crafted films playfully explore and expose the language of cinema.

Since 1972 Smith has made over fifty film, video and installation works that have been shown in independent cinemas, art galleries and on television around the world and awarded major prizes at many international film festivals. He received a Paul Hamlyn Foundation Award for Artists in 2011, and in 2013 he was the winner of Film London’s Jarman Award.

Smith’s solo exhibitions include Alma Zevi, Venice (2017), Tanya Leighton Gallery, Berlin (2017, 2015, 2013, 2012 and 2010); Kate MacGarry, London (2016); Wolverhampton Art Gallery (2016); Museum of Contemporary Art, Leipzig (2015); Centre d’Art Contemporain de Noisy-le-Sec, Paris (2014); The Gallery, Tyneside Cinema, Newcastle upon Tyne (2014); Figge von Rosen Gallery, Cologne (2013); Kestnergesellschaft, Hanover (2012); Turner Contemporary, Margate (2012); Weserburg Museum for Modern Art, Bremen (2012); Uppsala Art Museum, Sweden (2011); PEER Gallery, London (2011); Pallas Projects, Dublin (2011); Royal College of Art Galleries, London (2010); Sala Diaz Gallery, Texas (2010); Ikon Gallery, Birmingham (2006); Kunstmuseum Magdeburg (2005); Open Eye Gallery, Liverpool (2003) and Pearl Gallery, London (2003).

Major group exhibitions include ‘Age of Terror: Art Since 9/11’, Imperial War Museum, London (2017); ‘Between Film and Photography’, FOMU Museum, Antwerp (2017); ‘After the Fact: Propaganda in the 21st Century’, Städtische Galerie im Lenbachhaus, Munich (2017); ‘Found’, Foundling Museum, London (2016); ‘Double Act: Art and Comedy’, MAC, Belfast (2016); ‘Invocable Reality’, Museu d’Art Contemporani de Barcelona (2014); ‘The Reluctant Narrator’, Berardo Museum, Lisbon (2014); ‘Constellations’, Tate Liverpool (2013-14); ‘Image Counter Image’, Haus der Kunst, Munich (2012); ‘Has The Film Already Started?’, Tate Britain (2011-12); Berlin Biennial (2010); ‘The Talent Show’, Walker Art Center, Minneapolis and MoMA PS1, New York (2010); Venice Biennale (2007); ‘A Century of Artists’ Film in Britain’, Tate Britain (2004); ‘Live in Your Head: Concept and Experiment in Britain 1965-75’, Whitechapel Gallery, London (2000) and ‘The British Art Show’, UK touring exhibition (1984).

Smith regularly presents his work in person and in recent years it has been profiled through retrospectives at film festivals in Oberhausen, Tampere, Leipzig, St. Petersburg, La Rochelle, Lussas, Mexico City, Uppsala, Cork, Sarajevo, Prizren, Munich, Regensburg, Stuttgart, Vilnius, Karlstad, Winterthur, Bristol, Hull and Glasgow.

John Smith lives and works in London. His work is held in numerous collections including Tate Gallery; Arts Council England; Museum Sztuki, Lodz; FRAC Île de France, Paris; Kunstmuseum Magdeburg; Ella Fontanals-Cisneros, Miami; Wolverhampton Art Gallery and Ferens Art Gallery, Hull. His films are distributed by LUX, London; Video Data Bank, Chicago; Canyon Cinema, San Francisco and Light Cone, Paris. He is represented by Tanya Leighton Gallery, Berlin and Kate MacGarry Gallery, London.

complete filmography

Triangles    1972, 3 mins, 16mm, colour, sound.

Someone Moving    1972, 5 mins, 16mm, colour, sound.

The Hut    1973, 5 mins, 16mm, colour, sound.

Words    1973, 7 mins, 16mm, B/W, sound. Collaboration with Lis Rhodes.

Out the Back    1974, 5 mins, Super 8mm, colour, silent.

William and the Cows    1974, 6 mins, 16mm, colour, silent.

Faces 1    1974, 11 mins, 16mm, B/W, silent.

Faces 2    1974, 3 mins, 16mm, B/W, silent.

Associations    1975, 7 mins, 16mm, colour, sound.

Leading Light    1975, 11 mins, 16mm, colour, sound.

Nine Short Stories    1975, 3 mins, 16mm, B/W, silent.

Subjective Tick-Tocks    1975, 11 mins, 16mm, B/W, sound.

The Girl Chewing Gum    1976, 12 mins, 16mm, B/W, sound.

Summer Diary    1976-7, 30 mins, 16mm, colour, sound.

Gardner    1977, 6 mins, video from 16mm, colour, sound.

Hackney Marshes – November 4th 1977    1977, 15 mins, 16mm, colour, silent.

Hackney Marshes (TV version)    1978, 30 mins, video from 16mm, colour, sound.

7P    1978, 7 mins, 16mm, colour, sound.

Blue Bathroom    1978-9, 25 mins, 16mm, colour, sound.

Celestial Navigation    1980, 10 mins, 16mm, colour, sound.

Spring Tree    1980, 3 mins, 16mm, colour, silent.

Shine So Hard    1981, 32 mins, 16mm, colour, sound.

Light Sleep    1981, 6 mins, 16mm, colour, sound.

Shepherd’s Delight    1980-4, 35 mins, 16mm, colour, sound.

Om    1986, 4 mins, 16mm, colour, sound.

The Black Tower    1985-7, 24 mins, 16mm, colour, sound.

Dungeness (3 films for theatre production by Graeme Miller)    1987, 12 mins, 16mm, colour, silent.

Slow Glass    1988-91, 40 mins, 16mm, colour, sound.

Gargantuan    1992, 1 min, 16mm, colour, sound.

Home Suite    1993-4, 96 mins, video, colour, sound.

Blight    1994-96, 14 mins, video from 16mm, colour, sound.

The Kiss     1999, 5 mins, video from 16mm, colour, sound. Collaboration with Ian Bourn.

The Waste Land    1999, 5 mins, video, colour, sound.

Regression    1999, 17 mins, video, colour, sound.

Lost Sound     1998-2001, 28 mins, video, colour, sound. Collaboration with Graeme Miller.

Frozen War (Hotel Diaries 1)    2001, 11 mins, video, colour, sound.

Worst Case Scenario    2001-3, 18 mins, video from 35mm, colour & B/W, sound.

Museum Piece (Hotel Diaries 2)    2004, 12 mins, video, colour, sound.

Throwing Stones (Hotel Diaries 3)    2004, 11 mins, video, colour, sound.

B & B (Hotel Diaries 4)    2005, 6 mins, video, colour, sound.

Pyramids / Skunk (Hotel Diaries 5)    2006/7, 17 mins, video, colour, sound.

Dirty Pictures (Hotel Diaries 6)    2007, 14 mins, video, colour, sound.

Six Years Later (Hotel Diaries 7)    2007, 9 mins, video, colour, sound.

Flag Mountain    2010, 8 mins, HD video, colour, sound.

Demo Tape   2010, 5 mins, video, colour, sound.

unusual Red cardigan    2011, 12 mins, video, colour, sound.

The Man Phoning Mum    2011, 12 mins, HD video, colour, sound.

Soft Work    2012, 37 mins, HD video, colour, sound.

Dad’s Stick    2012, 5 mins, HD video, colour, sound.

Dark Light    2014, 4 mins, HD video, B/W, sound.

White Hole    2014, 7 mins, HD video, B/W, sound.

Steve Hates Fish    2015, 5 mins, HD video, colour, sound.

Who Are We ?    2016, 4 mins, HD video, colour, sound.

Song for Europe    2017, 4 mins, HD video, colour, sound.

installations

The Kiss     1999, video installation for 2 suspended projectors and etched glass screens. Collaboration with Ian Bourn.

Rebus    2001, video loop for single monitor.

Beside the A-Side   2002, site-specific video installation for 2 projectors and suspended screen. Collaboration with Graeme Miller.

Double Shutter    2010, 2 screen video installation incorporating material from ‘Blue Bathroom’ (1979-80).

Third Attempt    2010, 2 screen film and video installation incorporating ‘7P’ (1978-9) and ‘Regression’ (1998-9).

unusual Red cardigan    2011, mixed media installation incorporating ‘The Man Phoning Mum’ (2011), photographic prints and ready made objects.

Horizon (Five Pounds a Belgian)    2012, HD video installation for single projector and purpose built space.